Wednesday, May 15, 2013

Matinique – 40 years of fashion

Since the legendary Niels Martinsen founded Matinique back in 1973, the brand has always been one of the fashion world’s finest. Skilfully interpreting new trends to a wider audience, Matinique quickly became the global brand we know today.

From disco to the fashion scene
With Matinique, Niels Martinsen set out to create comfortable, high-quality and fashionable clothing for men. His success is obvious today, but coming from the 70s clubbing scene in Copenhagen, it took a lot of hard work and effort. Since then, a range of designers have been in the creative driving seat at Matinique. And as current head of design Lotte Boysen Goldschmidy says, “Working  at Matinique has always been about striking the right balance between our design heritage, current trends we believe in, and trends that we wish to develop and nurture. Treading that fine line is a daily challenge, but also a huge source of inspiration.”
Global trendsetter
Working with four collections a year with up to 140 styles delivered in monthly drops, catering to fashion-craving men in more than 20 countries, design becomes more than a matter of defining and creating trends; every item also has to address national preferences and tendencies. “Workwear, for instance, means very different things to very many people. In Britain, you don’t have to dress up as formally as in China, where wearing a suit and tie is mandatory, and ‘business casual’ in Holland would be a formal outfit in Denmark,” explains Lotte. To meet the different needs, every collection is designed on a scale from formal to business casual to casual, making it easy to style a look according to local preferences while still adhering to the Matinique look of the season.
The core of the Matinique look
Throughout its 40 years at the centre of the fashion world, Matinique has kept a steady brand promise, always staying true to the Matinique personality and the brand signature. Throughout, the result has been fashionable collections for the urban man, blending formal and casual looks with high quality and affordability at the heart and core. Fitting and comfort always come first, and modern tailoring techniques are used, making every item special.
No age limits
At Matinique, it is not about age; it is about your approach to life and how you see yourself. Rather than becoming a way of defining who you are, fashion has to suit every aspect of the Matinique man’s cosmopolitan lifestyle. The role of fashion is not to define the man; rather, it should support his personality and his goals in life.
40 years of fashion: Meet the design team – Lotte Boysen Goldschmidt and Jan Oliver Booth
Behind the scenes at Matinique, a small and dedicated design team works hard every day to create those essential styles that make us all turn our heads. We met the two designers in charge for a talk about Matinique as they see the brand today.
What is the core of Matinique’s design profile, from your perspective?
Our core lies in the ability to create products that evoke a lifestyle for today’s modern man. We design a range of clothes that encapsulate an urban lifestyle for the man who combines life as a professional with leisure and going out. That exact combination is our focus: creating fashion that embraces both formal and casual.
From a design perspective, what do you believe has been Matinique’s gateway to success over the past 40 years?
The brand has always had an ability to stay up to date, and that is what we strive to achieve in everything we do.
How would you define the Matinique customer you design for?
He is urban, modern, and leads a busy professional life with lots of daily challenges. After work, he goes out with his friends. He is up-to-the-minute in everything he does, with an awareness of trends and style. We do not see age as an important factor; it is more about his approach to life.
How do you find inspiration for a new collection?
Being a commercial brand, we always analyse the market before starting out. What do customers want, and in which direction do we think we can push them? Then we go for the cultural mix: exhibitions, movies and TV shows, street style and blogs. And, of course, we always apply a huge dose of gut feeling. Trusting your instincts is always a good way to proceed.
How do you adapt to designing for so many different markets?
By keeping to our Scandinavian core, and making that the universal link. It’s basically in the mix – some countries are more formal, some are more casual, and we provide the mix for the season.

Do you have an item in the autumn collection that you are especially proud of?
Yes, we are especially happy with the wool looks; the knitwear selection is modern and diverse, and we have adjusted our range of suits, with updated fits, fabrics and trimming. Also, woollen outerwear is back, with an emphasis on textures and slim silhouettes.
The result is a strong selection with a slim, sleek, modern silhouette.  
What we mostly noticed was the extremely nice finish of this RTW collection. It features nice detailing like working buttonholes on the sleeves, but with a nice original detail: they are worked in so not always noticable. The fine materials used make this collection more upscale in comparaison to the collections of previous years. Truly worth to celebrate the 40 years of Matinique. Pull-overs in extremely soft and nice cashmere and merino wool, gentle to the touch and with a quality finish. For the young modern man, we can recommend to have a closer look at it.  It's hip yet classic wear with style for an affordable budget !

More info on www.matinique.com 
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Sunday, May 12, 2013

Stubbs & Wootton: They are Cult Loafers. And for a reason !


Founded in Palm Beach, Florida in 1993 by Mr. Percy Steinhart

Stubbs & Wootton is specialized in luxury men's slippers & espadrilles designed so they can be worn from early in the day to late into the night, all seasons. The slippers look as good with jeans when strolling in the city as with a tuxedo on a VIP-event.
 
So is this cult shoe a new thing ? No, it is defintively not !
So is this cult shoe a new thing ? Yes, it defintively is !
Sounds weird doesn't it ? Well, do read on and find out why. Belgian Dandy will explain !
What's a slipper ?
The word 'slipper' was first recorded in England (Great Brittain) as early as in 1478. It came from the much older verb to slip, indicating, of course, a kind of footwear is "slipped" onto the foot. In the Victorian era, the traditional British slipper became extremely popular and was called 'the Albert slipper', named after Prince Albert. Their nickname was 'Prince Alberts'.
"Screw You" by Stubbs & Wootton
The Prince Albert is worn around the house, often with black tie, but in modern times it's sometimes worn informally outside. The velvet or Prince Albert slipper was originally worn by the English elite for black tie affairs, i.e. sitting down to several courses of dinner and drinks with friends and colleagues of the same standing.
Stubbs & Wootton 'Nightenday'
As times changed and people began to entertain outside the home, the slippers followed them to the clubs and smoking rooms of London. Their venerable footwear would be paired with coordinating suits or smoking jackets for an impeccably tailored look hopefully accented with a monocle if any stereotypically British movie proves to be true. That's what we find on the internet. Yeah, right !!!
"Fxxx Yxx" by Stubbs & Wootton
So the'Prince Albert'slipper, here it is: In a long gone era when the streets in London and England weren't paved yet, when men wore black leather knee high boots to withstand the torture of mud, horseback riding, mounting carriages, hunting down foxes, deer and rabbits. When the streets were actually the sewers of the cities and villages.
Stubbs & Wootton for J-Crew
There was this prince, named Albert, the husband of Britain’s Queen Victoria, who reigned from 1837-1901, who didn't want to enter his mansion/castle and drag in all the filth of the streets. So he commissioned his shoemaker to create a comfortable shoe he could 'slip on' when arriving at his home. He just wanted to keep the filth out, and wear something more comfortable in-the-house.
Absolutely nothing fashionable about that. But a logic sense of decency, and respect for materials: He just didn't want to ruin his precious hand-layed parquet, hand-woven silk carpets etc. And,... he wanted to look more elegant and sophisticated around-the-house !

So what did Percy Steinhart do then to create and start Stubbs & Wootton ?
Mr. Percy Steinhart, being a visionary at the time, was working at Citicorp in the 1990s (now Citigroup) as an executive, when he says, "I saw something happening in Palm Beach, all of my friends were wearing these velvet evening slippers. I thought I could do something more diverse, and more whimsical with it." So he didn't take the idea for granted and brainstormed about it.
He came up with a great idea in his head. So he researched, defined, and researched again, untill he found a factory that would make the quirky velvet slippers he envisioned with emblems ranging from funny harlequins to aristocatic inspired crests to the well-known skulls, in La Mancha, Spain, and finally, in 1993 Stubbs & Wootton saw the light of day ! Stores in Palm Beach, New York City, and the Hamptons (preppy-heaven) soon followed.
Mr. Percy Steinhart
Needlepoint slippers ?
After a while the collection got extended to include needlepoint slippers. As Percy Steinhart says : "I wanted to recreate the slippers Edwardian country women used to needlepoint for their husbands", bags and handbags, espadrilles and mules".
"I looked at the classic men's stores like Brooks Brothers and what they were doing at the time, and I knew I was on to something. There is only a finite group that want to be wearing the Prince of Wales crest." From the start he was well aware he had to be original to be different.

Where does his inspiration come from ?
They might come from anything and anywhere. A small detail might set it off, looking at a design, or a meeting. As Percy Steinhart says: "Seeing a certain embroidery on the street, ironwork, Scottish royalty, dragons - a lot of it is just spur of the moment inspiration." Stubbs & Wootton is what everyday life is all about...
 

So where does the name come from ?
When you hear the name, it makes you think and feel it's a traditional British heritage brand. Percy Steinhart borrowed the last names of two of his favourite 18th-century English artists, Mr George Stubbs and Mr John Wootton, both are specialised in painting scenes of gentlemanly sporting pursuits. Ain't that fitting for a brand that deals in masculine elegance and sophistication ?
 
Bespoke Stubbs & Wootton for the release of 'True Prep' by lisa Birnbach
So why does the contemporary gent needs Stubbs & Wootton velvet loafers of slippers ?
Let's cut the crap and make it short and 'to-the-point':
  • They go brilliantly with a tuxedo, with shorts, and with everything in between: "They may be worn at all times - with shorts and jeans to tweeds, blazers, suits and of course dinner clothes. They work from day into dawn.
  • They are unconsciously self-conscious.
Stubbs & Wooton Skull & Sabre design
  • These slip-on's positively exudes raffish charm and will defintively ensure that you stay a step ahead of your sartorially switched-on cohorts. Bear in mind that you can wear them wantonly and you just may be a hit. We at Belgian Dandy consider it quite safe to assume these Stubbs & Wootton shoes have veered away from the halls of formality and are hurtling down an avenue of nearly hubristic proportions.These fine Stubbs & Wootton loafers or slippers will give every look that aristocratic air.
  • The style Stubbs & Wootton has been sporting enjoys a revival due to its eternally louche appeal.
  • Have you ever considered the Hugh Hefner look when he's sporting them around the Playboy Mansion ? ( He has the babes and ... The Grotto !)
  • These S&W's are truly elegant, yet quirky.
Stubbs & Wootton are redefining Velvet Slippers !
Mr. Percy Steinhart took great pains to grow his niche brand among a younger age set. "We've really been working hard to reach out to a younger population," he says. "I hear a lot of, 'If my grandmother or mother would wear it, I don't want to wear it.
So we can state that Percy Steinhart's efforts to reach a younger customer seem to be working. Kanye West is rumored to have a closet full of Stubbs (even wearing a pair to the CFDA awards in June). Leandra Medine, otherwise known as the Man Repeller regularly blogs about them. And collaborations with Michael Bastian and Marc Jacobs in recent years have helped to broaden their appeal.
Weirdo's or true Afficionados ?
Some people sport several pairs. 
Some even build their 'dressing' around the number of pairs of S&W they have.
In the Southhampton store they had a client recently who bought 12 pairs in one day....
Women's models: " I was in the store recently and ther was this 15-year old girl who got a pair. She told her mother: "You can't buy these now".
Stubbs & Wootton Trojan
Who's wearing velvet slippers (famous people) and thus Stubbs & Wootton ? And which brands are doing the same ?
Kanye West
Scott Disick
Olivia Palermo
Jcrew
Loubboutin
Brooks Brothers
Ralph Lauren
... 
Scott Disick
 
Stubbs & Wootton's brand's unique positioning has allowed it to gain a cult following over the years, with devotees that are known to brag about how many colors and styles they own, some heading to the brand's Facebook page to show off their collection. "People send me photos of their closets full of Stubbs. I have a very posh woman client in Palm Beach who built her closet around her Stubbs collection," Steinhart says.
Steinhart took great pains to grow the niche brand among a younger age set. "We've really been working hard to reach out to a younger population," he says. "I hear a lot of, 'If my grandmother or mother would wear it, I don't want to wear it.' I was in the store recently and there was this 15-year-old girl who got a pair. She told her mother, 'You can't buy these now.'" Steinhart's efforts to reach a younger customer seem to be working. Kanye West is rumored to have a closet full of Stubbs (even wearing a pair to the CFDA awards in June). Leandra Medine, otherwise known as the Man Repeller regularly blogs about them. And collaborations with Michael Bastian and Marc Jacobs in recent years have helped to broaden their appeal. 
Conclusion 1: Stubbs & Wootton: They rock and are a brand to follow !
Conclusion 2: When following trends and hypes in Europe and Belgium, people get the notice that they are female shoes. Just an evolution on the '"ballerina's". Well,  they aren't. they are male shoes. Women just got on to the bandwagon....

Percy, you rock ! More information on www.stubbsandwootton.com 

In addition to the 30+ varieties of slipper and 5 pair of espadrilles (a flat-heeled shoe made with a rope and/or rubber sole), the Stubbs & Wootton website offers a bespoke section that allows you to create your own custom pair of slippers. Choose your desired shoe type, fabric, trim, and then take your pick of custom embroidery from almost 50 designs. If you'd like more of a personal touch to your slipper, you can add a monogram instead of an embroidery. Choose from machine thread stitching, or wire stitching - hand stitched embroidered monograms in silver and 18 carat gold wire.

Conclusion:
  • They're very sophisticated. They'll look as nice worn casual, as being worn more dressed.
  • The velvet feels soft and luxurious, almost like mole-skin. Extra-ordinary !
  • The finish and detailing is exceptional (the inside as well as the outside).
  • The embroidery is very detailed, and has a perfect finish. No loose threads whatsoever.
  • The inside leather lining is very fine and soft. No stitches found that might irritate you. Feel very comfortable at your feet. definitively a quality for high-end shoes. But we weren't expecting less.
  • If you get the right size, they'll fit you like a glove. With an extra-ordinary feeling of comfort.
  • In mainland Europe, especially Blgium, people are not accustomed to those kind of shoes. You'll get looks. Some might think you're wearing house-slippers. The more developped ones look at the sole and recognise them as shoes. Don't worry. The ignorant will get over it. And if they don't, well, its on the shoes with the screw....  
  • Crafted by hand to extreme quality: It's noticed !
  • After being popular for ages in the US, following tarditions and heritage in the UK, now they're finally hitting European mainland. Mostly trendy as womens-shoes now (because they think they're an evolution on the 'ballerina's'). The original men's version is still hard to find. But if you visit www.stubbsandwootton.com , it'll be a lot easier.
  • You'll get lots of looks. You cannot wear them unnoticable. But hey, you should already know that. thety add to your bold look.
  • Enough extravert, funny and creative embroidery designs available to distinguish yourself.
  • Womens collection is also available and large enough for even the most discerning woman.

Are they cult shoes ?
  • No, they are not: They've been there for ages. And worn for ages (Cfr. Hugh Hefner from Playboy Magazine-
  • Yes, they are: Now finally being hyped in Europe, we can only hope the'll stay !
  • And when going for a hype, go for the best, go for S&W !
  • And if it's not a hype, and they stay (as we expect), you're already with the best !
read the article on www.belgiandandy.be
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How to hang your trousers correctly ?


We've all been there: Hanging our trousers on a hanger, and then they slip off. Finding the right balance is the obvious solution for many men. However, there's a much easier solution, and it's called the 'Savile Row Fold'.

Actually quite simple:
Just fold one leg over the hanger, then the other, in the opposite direction. No more, no less. But much more effective. The drawing below ( cut-in-wood by Wesley Bates) will clarify it all.
'The Savile Row Fold' by Wesley Bates
Doing it this way makes it almost impossible for the pants to fall of the hanger. The downside is that you cannot take them off in one smooth movement ! But the upside is that it's much nicer to find your pants on the hanger instead of on the floor of the closet or dressing

read the article and more on www.belgiandandy.be 
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Saturday, May 11, 2013

The Crombie Rainmac Raincoat: Waterproof with a Heritage









We've always been fond of products with a heritage. Brands with a heritage. They stand for something.  They are 
products with a story to tell. And they have proven themselves over time as well. 
They are the classics. And what finer example we tumble upon when stubling at a 'classic' true English raincoat. 
Let's have a look at the history and origins of Crombie. 'Crombie ?' you might ask yourself if your not from England. 
Well, it seems you might know Crombie a lot better than you thought....

Crombie (also known as J&J Crombie Ltd, after its founder John Crombie and his son James) is the British fashion 
company, that produces high-end clothing and accessories. Crombie is most famous for its luxury coats. 
The word 'Crombie' is sometimes used by other companies to refer to their own coats produced in the style of 
Crombie's most famous three-quarter length (usually wool) overcoats.
Crombie was founded in Aberdeen, Scotland in 1805, making it one of Britain's oldest brands. Over the years, 
Crombie has manufactured from several different mills in Scotland and England over two centuries, initially at the 
Cothal Mills in Aberdeen, and most famously from 1859 at the Grandholm Mill also in Aberdeen. 
In 1990, production at the Grandholm Mill ceased, and was moved to other mills in Scotland and England. 
(The A-listed Grandholm factory site was converted into a residential project by the Cala Group in 2005. 
Part of the mill is now an Indian restaurant called The Spice Mill, which has maintained the original elements 
of the factory).






























Crombie began as a producer of luxury cloth, which it sold to cloth merchants and sent directly to famous London 
tailors. By the 1850s, Crombie had won several quality awards from Queen Victoria and Napoleon III at the Great 
Exhibition in London and the Exposition Universelle in Paris respectively. Later, Crombie expanded from simply 
manufacturing the fabric for other producers, to creating coats under its own name. This seemed to be a great move ! 
A key factor in Crombie's expansion, from the 1860s and onwards, was the receipt of military contracts. Crombie 
supplied 'Rebel Grey' cloth for the Confederate Army in the American Civil War, and also supplied officers' uniforms 
to the British Army and Royal Air Force in World Wars One and Two.













































Starting in the late 1960s or early 1970s, Crombie-style coats were popular within the skinhead and suedehead 
subcultures, although very few skinheads would have been able to afford a brand new Crombie coat. 
The iconic Crombie coats were also fashionable among mods, who saw them as a stylish item of clothing that 
enhanced their clean-cut image. It was an alternative to the popular fishtail parka or trenchcoat. Crombie has long 
marketed itself at international statesmen and royals. It has enjoyed particular success in Russia, where Crombie 
began supplying to the Tsarist court from 1880, and even in 1984 it was observed that Soviet President Mikhail 
Gorbachev was wearing a Crombie coat when he visited Britain that December. Crombie lists King George VI, 
Winston Churchill, Cary Grant, Dwight D Eisenhower and John F Kennedy among its historic customers. 
From 1995 till 2004, Crombie also held the famous Royal Warrant for being a supplier to the Prince of Wales.











































The company continues to trade today, and currently has three stand-alone stores: 
One in London, one in Manchester and one Edinburgh, Scotland. Crombie is also sold through selected independent 
retailers, such as Harrods in Great-Britain, and comparable department stores in North America, Europe and East Asia 
as well. Crombie also sells worldwide over its international website.
The founding Crombie family sold their interest in the company in 1928, to another British textile family, the Salts 
(famous as the founders of Saltaire in West Yorkshire). After the Second World War, Crombie became part of 
Illingworth Morris – at that time Britain's largest woolen textile company, of which British actress Pamela Mason 
was the majority shareholder. In the 1980s the company was taken private by its Chairman. Crombie is also known 
to hold the rights to the Tommy Nutter brand name, having backed him financially in the late 1980s and early 1990s.
So, let us take a look at their history in a kind of timeline...

1805
The Crombie story begins over 200 years ago, in the year of the epic Battle of Trafalgar. It was at this time that John
Crombie - son to a family of Scottish weavers - established his first woollen mill at Cothal Mills in Aberdeen.
Using only the finest natural fibres, John Crombie quickly established a reputation throughout Britain for the quality
of his luxury cloth. Each year, he would set out on horseback to sell his prized fabrics  - not only to cloth merchants,
but also direct to London tailors eager for the richest offerings to present to their noble clients.
 

































1810
The company receives an award from the "Board of Trustees for Fisheries and Manufactures in Scotland", for the 
exceptional standard of its Forest cloth - the woollen cloth of the time. Wool was scoured and milled, spun and woven 
and subsequently tailored to produce Elysian overcoatings worn by the best-dressed men.

































1828
James Crombie, the eldest son, joins the expanding company, which continues to prosper through the post Napoleonic
War period. The main production was tweele and wincey, woven mainly in blues and greys, having already been dyed
in the west of England. Folk etymology suggests that the word "tweed" was born at around this time as a result of a
London merchant misinterpreting a Crombie employee's badly handwritten letter referring to an order of tweele.

































1849
By the mid-nineteenth century, the Crombie business has established its reputation amongst the fashionable drapers
of London and Paris. Crombie's fine wools, tweeds, cashmeres and merinos became the fabric of choice for Savile
Row tailors and gentlemen of taste.

































1851
As the Victorian era progresses, the Crombie name becomes renowned for excellence and fine craftsmanship.
In 1851, Crombie's cloth was presented at the Great Exhibition, and was awarded a prize medal by Queen Victoria
and Prince Albert "For Superior Manufacture and Beauty of Design".
 

































1855
At the Exposition Universelle in Paris, Crombie is similarly commended by Napoleon III.
 

































1861
The outbreak of the American Civil War establishes a new export market. Business increased five-fold as Crombie
received large orders for "Rebel Grey" cloth from the Confederate army - who had no mills of their own in the blockaded
South.
 

































1862
Queen Victoria's commissioner commends Crombie cloth at the International Exhibition held in London in 1862.
 

































1870s
John Crombie's grandson Theodore journeys extensively across the globe, with trunks filled with Crombie's trademark
cloth, to secure new markets in Europe. Such was his success that in 1871, during the Prussian siege of Paris,
an order was famously sent by hot air balloon to secure delivery of the legendary cloth. Theodore's agents went on to
establish the Crombie brand name as far afield as Canada and even Japan - where Crombie's agent was Thomas Glover, who went on to help establish the Mitsubishi Corporation, and supposedly inspired Pucccini's opera Madam Butterfly.
 

































1880
Links with Russia are established which persist to the present day. Crombie entered the Russian market in 1880 with
the "Russian Coat" - a heavy pile coat specially designed to shield wearers from the harsh Russian winter.
Crombie soon established a favourable reputation in Russia, and became the fabric of choice for Tsars, the Russian
Imperial court, and later even the Politburo. When the Soviet leader Mikhail Gorbachev stepped onto British soil for the
first time at Heathrow in December 1984, the television commentators observed that he was wearing his British
Crombie coat.

































1900s
Crombie turns its expertise to lighter weight coats, suits and morning coats for markets opening up in France, Germany
and Belgium. The Crombie "Beaver-Raised" woollen overcoating proved an international success, particularly for
gentlemen's wedding attire. The cloth, made from merino wool, was given a secret finish that imparted a mirror-like gloss.
 

































1914-1918
During the First World War, Crombie temporarily switched its production to military officers' uniforms. Such was the extent
of Crombie's production that one tenth of all greatcoats worn by British officers were made from Crombie cloth. The term
"British Warm" was coined at this time to describe the coat made from Crombie cloth. The name remains synonymous
with Crombie to this day.
 

































1928
Another textile family, the famous Salts of Saltaire, West Yorkshire, bring Crombie into the Illingworth Morris group
- creating what becomes Britain's largest textile group for much of the twentieth century.
 

































1932
The Duke of York (later King George VI) visits a Crombie mill in 1932, wearing a coat created by Crombie especially for
him. This design was revived and re-released by Crombie in 2009 as the "King Coat".
 

































1939-1945
In the Second World War, Crombie once again makes its contribution for Britain. During 1941 alone, Crombie's output
included overcoats for 90,450 soldiers, 23,364 RAF officers, and 12,042 US army officers. In 1942, Crombie supplied
the Norwegian resistance movement with a dark grey  cloth to match that of the occupying German troops.
Despite the vast quantities involved, the cloth produced by Crombie during this period maintained its legendary status,
on account of the exceptional quality of every garment.
 

































1946-present
With its war work over, Crombie reassumes its position as a purveyor of fine British fashion to celebrities royalty,
and statesmen worldwide.
 

































1983-1992
When the legendary British tailor Tommy Nutter sought to return to Savile Row with his own ready-to-wear range,
he approached Crombie for support. A partnership was formed, and for many years Crombie and Tommy Nutter products
were sold alongside each other from the same shop. During this time our joint store at 19 Savile Row had clients
including Elton John, John Lennon, and Mick Jagger. Tommy Nutter produced a variety  of eye-catching designs
- including Jack Nicholson's Joker costumes for the 1989 Batman movie - while Crombie supplied him with the cloth.
Since Tommy Nutter's sad death in 1992, Crombie has continued to release respectfully commemorative Tommy
Nutter products derived from his original designs.
 

































1990s
Crombie opens it first stand-alone stores: in Edinburgh, followed by London and Manchester.
 

































2010
Crombie launches its new website as its "fourth store", bringing the best of British style to customers all over the world.
Apart from Britain of course, Crombie's classic designs prove particularly popular with online shoppers in the USA,
Australia, Germany, Poland, Sweden and France.
 

































Timeless
Crombie remains an iconic British brand, trusted worldwide for the quality of its products and the timeless elegance
of its designs. Crombie continues to source only the finest raw materials to make its luxury products. To this day, the
majority of fabrics used in our coats are milled in England  and Scotland (otherwise in Italy). Likewise, 80% of our
accessories are "Made in England", from five-fold silk ties hand rolled by English craftsmen, all the way up to
Handmade classic fur felt hats.

































Navy Crombie Rainmac, Fully Waterproof
Crombie considers its coats to be the best in the world, and we're sure that once you put on this exquisitely constructed raincoat 
you won't want to take it off.

















































This piece has the usual Crombie durability, but by using a single layer of double faced fabric (a once difficult technique 
of which Crombie was a pioneer in the nineteenth century), it is a lighter weight than many other full-cotton raincoats, 
and the superb grade of the weaving gives it a softer feel as well.
















































With a natural resin coating and taped seams, this garment is fully waterproof. The distinct navy/red colour combination 
is based on a sample of original double-faced Crombie cloth in theirarchives from 1865. How's that for Heritage.













































By touching the fabric, you'll feel it's water-repellent. The taped seams let you notice immediately that
we're talking about a true waterproof coat. Even just by looking at the seams, you'll know it. Somehow it
reminds me of the seams on a Zodiac inflatable boat or tender.












































The Crombie Rainmac: Front view. Notice the simple yet elegant look of the basic lines. Sober perfection. 
The Crombie Rainmac: Back view. Elegantly cut for a perfect fit.
 More information about these exceptional coats can be found on www.crombie.co.uk
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